**** out of *****
Schmaltz done right.
I lived in Iowa for 20 years. During that time, I never had much interest in seeing The Brides of Madison County, either the film or the actual bridges. The film came out when I was 11, at a time when Ace Ventura sequels were more my bag. Watching old people on a farm didn’t quite do it for me. It wasn’t until my move to New York was imminent that I thought to seek out the film. What better way to leave my home base than to watch one of its quintessential films?
I didn’t get around to. Watching The Bridges of Madison County in my New York bedroom, however, provided its own set of surreal pleasures. I can say the film resonated very little with my Iowa experience. I can also say it made me cry.
Clint Eastwood‘s films have a way of pinpointing my softie spot and hammering it with blue-collar diligence. Only two other working directors have a comparable effect on me: Wong Kar Wai and Nuri Bilge Ceylan. Those directors hit me on an arty, existential level; I experience something like profound terror after a Wong Kar Wai film, a feeling I can’t quite put into words. Eastwood’s films are different. Putting them into words is easy: They’re sad. Eastwood goes for the old-fashioned punch to the stomach. He crafts simple stories with the clear intention of making you weep.