Ahead of Incredibles 2, I wrote a quick thing about how Pixar’s films have turned into $200 million machines to make you cry. You can read my lament (“Pixar, I’m Tired of Crying”) in full at Medium.


To mark the end of the academic calendar year, I gifted myself a trip to the Seattle International Film Festival (SIFF), the largest film festival in America. All told I saw 14 feature films, with an emphasis on films from Middle Eastern directors. You can find my festival overview at Filmmaker Magazine here.

Up top you’ll find a picture of the supremely bizarre Lenin statue referenced in my article.

I’ve taken a few months off freelance writing to dive into my new role as the manager of the Kit Noir Festival, a new film festival in NYC devoted exclusively to film noir. This year’s inaugural lineup consists of eight films (seven of them on 35mm!) and three free talks. All events take place at the new Lenfest Center for the Arts. The festival runs March 21-25 and will be held annually for 10 years thanks to a donation from Columbia University alum Gordon Kit.

Check out the schedule and the festival trailer below. Join me?


Wednesday, March 21

7:30 pm: Keynote Lecture by James Naremore, followed by a reception
Free with registration


Thursday, March 22

7:30 pm: The Maltese Falcon
Buy tickets


Friday, March 23

7:30 pm: Double Indemnity
Buy tickets


Saturday, March 24

12:00 pm: The Lodger
Buy tickets

3:00 pm: Laura
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5:00 pm: Paul Schrader in Conversation with Annette Insdorf
Free with registration

7:00 pm: Murder, My Sweet
Buy tickets


Sunday, March 25

1:00 pm: The Suspect
Buy tickets

3:30 pm: Phantom Lady, followed by a lecture by Thomas Elsaesser
Buy tickets

7:00 pm: Scarlet Street
Buy tickets

For the third year in a row, I head to Filmmaker Magazine to discuss the year in film through 10 double features. Click here to browse this year’s rundown, and follow the links to read my double-feature pieces from 2016 and 2015.

I was happy to contribute two pieces to Filmmaker‘s website during DOC NYC 2017.

First I interviewed two-time Oscar winner Barbara Kopple about her latest documentary feature, A Murder in Mansfield. I also spoke with Andrew Sherburne Saving Brinton, a portrait of an accidental film preservationist in rural Iowa. Saving Brinton will see a theatrical release in 2018.

For the second time since moving to NYC, I had the opportunity this fall to cover the New York Film Festival. Below you’ll find links to my three pieces for Filmmaker Magazine‘s website.

I spoke with Nancy Buirski, the director of The Rape of Recy Taylor. Her doc debuted at Venice and appeared as part of the Spotlight on Documentary section of NYFF. Click here to read the interview.

I also wrote two “critic’s notebook” pieces. Click here to read the first, which covers Faces Places, The Rape of Recy Taylor, and Last Flag Flying. The second review roundup, available here, includes thoughts on Call Me By Your Name, The Square, Western, Wonderstruck, and Joan Didion: The Center Will Not Hold.

It was a pleasure, NYFF55.

Earlier this month I interviewed musician Sharon Van Etten and writer/director Katherine Dieckmann about the film Strange Weather. Our talk was among the most enjoyable I’ve had while reporting a story. As I say in the piece, to interview these two is to stand back and let the pair bounce ideas off one another. You can find the interview at Filmmaker magazine here.